One woman's quest to be equal enough to lick the boots of Jane Austen as she could never be half the writer she was!
Friday, December 9, 2011
Book Preview
Wednesday, November 30, 2011
A Little Somethin' Somethin'
January 13, 2018
‘The Artifact’ had been discovered by a small child. The African sun beat down mercilessly upon the young boy as he played. Sweat trickled down his burning forehead yet he was not fazed having spent his whole life under the sun’s harsh rays. Briefly, he looked up, shielding his eyes, and gazed around as if something ominous had caught his attention. Seeing no sign of dangerous predators, the boy wiped the moisture from his brow and continued with his game. He had played the pirate game many times without success, digging into the dry earth in search of buried gold and jewels his brother told him pirates hid countless ages ago; but today his treasure would be found.
He had only dug his fourth hole, the dirt soft and easy to break due to the unusual earthquake Kenya had experienced recently. Using his hands as shovels, the young boy scooped the soil from the cracked earth. Dirt sifted through his fingers onto the growing mound beside him. Suddenly, when he was not two feet down, a metallic object cut open his finger. Crying in pain and clinging to his wound, Ankimgie ran to his mother. The cut was not deep, but ever cautious Ankimgie’s mother had the boy show her what had hurt him.
What she saw scared her to death. She immediately called local authorities. When they arrived, they could not believe their eyes. In no time, word spread throughout the country, and everyone eventually knew what was going on, what had been found.
A new technology.
Though not new at all. The metallic box-like object shown blindingly in the sun. The yellow, blue, and reddish colors melted together like an alien oil floating over a puddle. Faded numbers covered the object; only a few remained legible. It was small, about the size of a breadbox, and it appeared scorched along the sharp edges. Time had taken its toll; a million years at least according to future tests. Afraid to remove the object from its current location and risk damage, scientists studied the strange contraption as is. Surprisingly, they were able to open it with little effort. Like opening a safe, scientists unlocked the combination and carefully lifted the top-portion of the object. Inside, it looked like a modern computer with circuits, chips, and diodes. This discovery made the people of Africa, and the world, shudder. A million year old metallic object with twenty-first century–like technology opened the world’s eyes to the possibility of alien life in the universe.
But they had yet to discover what was locked inside the memory banks of this new device. It was thought that the task would take months, even years, yet it only took two weeks to make one more shocking discovery. The contents, downloaded into a computer, revealed the device’s secrets. It was not an alien computer-like technology left behind by some unknown being, it was our own!
A probe. Its purpose was unmistakable. The object was built to travel the far reaches of space. But for what purpose?
The answer was soon unlocked from the disturbingly familiar technology. An unearthing that shook the very foundation every human life on the planet stood on. It was a realization that would ultimately challenge every creationists’ and every evolutionists’ beliefs. A nightmare that would question every scientific discovery ever made.
Blueprints. There were blueprints for building a human being, namely, genetic codes and anatomical data.
DNA.
Inside a million year old newly found artifact.
In the heart of Africa: the very place where modern man was said to have originated. Suddenly, it made unimaginable sense.
We were not born: we were built.
But built by whom? And why? A probe mimicking our own Voyager spacecraft was found to be our beginning. This colossal scientific breakthrough would mean millions to whoever deciphered its origin.
But whom did it belong to: the American scientists who better understood it, the Kenyan government whose country it was found in, or all of mankind? The argument triggered a dispute between the two countries. The United States saw ‘The Artifact’ as an opportunity to study life. Extensive research needed to be done, according to scholars. On the other hand, Africa viewed the find as a meaningful religious icon, which should remain intact and kept in a museum or church. Thus, the anger began to boil. Peace talks at the United Nations commenced and all the countries in the world debated what should happen with this huge discovery in the small city.
What officials did not yet realize was that ‘The Artifact’ had another affect on those who came in contact with it.
People were getting sick. The young boy who first found the craft, Ankimgie, had fallen ill almost immediately. His mother and the first few officials on the scene soon followed. The symptoms began with lesions and progressed to chronic sickness. Doctors who examined the ill were unwavering in their diagnoses, however impossible the fact may be.
Four scientists, African police and the boy and his mother had a disease of unknown origin. Before doctors’ very eyes, the infected deteriorated at an alarming rate. Their bodies were so distorted by the time they finally died that they were barely recognizable as human.
Now the struggle for possession became a deadly game against time. This problem had to be solved quickly before more people fell sick. The probe had to be contained, and the only way to accomplish this was for America to have control. Voices rang out from both sides louder then ever. Because of the major health threat pending against many innocent people, the UN was ready to allow the United States to investigate in order to save lives. But before any decision could be made, the unthinkable occurred.
The first shot was fired on a Wednesday. No one really knew or would confess who shot first, but within an hour, a small field on the outskirts of Machakos was littered with the bullet-riddled bodies of both Africans and Americans. A Kenyan terrorist group calling themselves the Black Lions broke through a protective barrier around ‘The Artifact’ and took it hostage. The group demanded that the United States relinquish control over the device or else the Black Lions would unleash its contents onto the unsuspecting populace. Acting under their religious beliefs, the group cited grievous offenses that America had committed toward Africa’s people, dating back to the time when slavery was an American institution. Their arguments were extremely persuasive with the citizens of the outlining areas of Machakos, and soon the Black Lions’ influence spread to other parts of Kenya and Tanzania. Public outcry sided with the ideals of ‘The Artifact’ liberators, as some began to call them, and the governments of the two countries were soon pulled into the web of supporters. By overwhelming demand, Kenya and Tanzania soon publicly announced their support of the Black Lions.
Three days later, the American President declared war on Kenya and Tanzania. Diplomacy with Africa had failed, and there was nothing anyone could say that could persuade the terrorist group to surrender ‘The Artifact.’ The Black Lions acted under the full protection of the Kenyan and Tanzanian governments.
Within hours of the declaration, thousands of troops of Navy, Army, and Marine soldiers were sent to the front. In a day that would be forever recorded in the history books, the United States touched down on the eastern shores of Africa and raced into the jungle. Two hundred thousand went in, but only one hundred fifty thousand would make it to the other side. The interior, infested with dangerous wildlife and the deadly poisons of arrows shot by expert snipers, would claim the lives of many men and women throughout the duration of the war.
* * *
Within months, almost one hundred thousand people, Africans and Americans, were dead, and the battle for possession of ‘The Artifact’ and the meaning of life on Earth continues to be fought on the soil where it all began. The disease that killed the scientists, police, Ankimgie, and his mother had spread to onlookers at the discovery site, and before they could be quarantined, they had already infected much of the surrounding populace. As near as scientists could figure, approximately five hundred deaths could be conclusively traced to the contagion. However, it was suspected that these numbers would continue to climb along with the war casualties.
But hope shines bright through the death and turmoil being left in the war’s horrifying wake. As always, love survives. It is the only emotion left for terrified soldiers to hang onto. It flourishes in the hearts of lonely men, away from their homes and families, and keeps them alive when all else seems lost. From the high ranking officer fighting on the battlefield, to the technical supervisor relaying coded messages, and to a dying private in a POW camp, love can never make a man a prisoner. And it is this that keeps them fighting for the truth of their existence.
Friday, October 14, 2011
The Play: The tale of a clever Russian noblewoman
Sunday, October 9, 2011
Adventures in Publishing
So here's how it went down. It actually wasn't too difficult. A quick google search and some research and I picked Createspace.com, which is affliated with Amazon. Sure, its not big time, and its basically self-publishing, but its free and it offers professional services. Which I can't afford. But that's okay because its not required. Seriously, you open a new title, fill in some blank spaces, download a template, set a price, and viola! They assign an ISBN and have great ideas for marketing. I've designed a cover and am working on a final edit before downloading the text and ordering a proof. Its amazing at how easy it is, and I don't have to worry about recieving a rejection letter. BIG plus! The book can be offered for sale on Amazon, or I can buy copies to sell wherever...like my coffee shop :)
So, since I intend to publish 'The Devoted,' I will not post any more chapters of that particular book here because I am mean ;) I've actually changed what has previously been posted anyway, so what you may have read is not even the final draft. And one day when I'm famous, you could say you've read my never before seen work in progress. And you'll be soooooo cool.
Or not.
I wont leave you story-less. I'll start posting chapters of my non-JA story entitled 'Fragile.' Its completely different, so wipe the slate clean. Until then...
Saturday, October 1, 2011
Brave New World Indeed
Written in 1949 by George Orwell, "1984" explores a future where there exsists only three major "countries" of people living in fear and apathy. In Oceania, which basically consists of Western Europe, UK, and parts of North America, the citizens are presided over and watched by "Big Brother," an omnipitent overseer that knows all, sees all, and is all. Every movement must be controlled or risk suspicion of nonconformity; every movement, every expression, even their thoughts. History continually changes in order to fit the authorities version of events, and the vocabulary drops "unnecessary" words constantly, dumbing down the English language word by lost word. This is Orwell's horrifying vision in a nutshell. And it is indeed effing scary to think that really we are not that far from this reality. Obviously the whole "Big Brother" always watching is already prevalent...can we say webcams, surveilance, and the like? A person can hardly sneeze without someone in the next county saying "bless you." In respects to our society "dumbing down," reality shows anyone? In a time where people like the Kardashians and desperate houswives are emulated by our children, its no wonder a person thinks twice about letting their kids watch the crap on tv. Who wants their little girl influenced by these trashy hoes? "Mommy, I want that leather bustier with the chains! Mommy, I want big hair and make-up! I want it NOOOOOW!" Its no different than the two minutes of hate whipping the citizens of 1984 into a frenzy of emotions that is almost beyond their control until they're throwing fits and objects at each other. Everyone should read "1984" as a warning that this could happen to us if we're not mindful. The most shocking and disturbing part of this book? The last four words. Read it and you'll know what I'm talking about. *chills*
In stark contrast to Orwell's version of the future is Aldous Huxley's "Brave New World." Where "1984" is all about control through hate and fear, BNW removes all independent thought by keeping people in a stupor of pleasure and happiness. Because, if you're happy, why worry? Why wonder about the world, think about science, or turn to God if there is no suffering? Is something is troubling, there is 'soma,' basically a pill that makes it all go away. Think endorphins. Babies are made in a lab under specific conditions to create castes of Alphas, Betas, Gammas, etc with the lower castes performing the menial jobs that is so disgraceful to an Alpha, like maintenance work. But everyone is important and needed to keep the world going round. There is no violence, love, or marriage and words like 'mother' are considered so disgusting its taboo to even speak of them. Children are conditioned for their future rolls through brainwashing and desensitizing. This was the most disturbing for me as a mother; the thought that babies are not held and loved, but programmed. Of course there are upsides to no monogamy; everyone belongs to everyone else. No jealousy, no conpetition for affection, no hard feelings. Awesome, right? Of course, if you are never alone, there is no need to do things like 'think.' Or 'read.' Unless its a book by Ford. That's right, FORD. As in, "Oh my Ford!" I'm not so sure our society could go this route. God forbid people are happy all the time! It seems like a whole lot of effort for a country that is inherently lazy. I would hope that the desire to have a family and love would override any tendancies in this direction. Maybe I'm living in a fantasy land because these things are so important to me. But don't we need a little misery so we can remember how good we have it? Otherwise, if everything's all hunky dory all the time, what's the point of living? You'll meet a 'Savage' who wonders the same thing.
I'm not sure which zombie is worse: the scared one or the 'ignorance is bliss' variety. Either way, "1984" and "Brave New World" are on my 'definately read' list for everyone interested. Not only will you wonder about the future, but you might learn something about yourself, too.
Until my next few books...
Saturday, September 24, 2011
FAIL
A - B
The Adventures of Augie March (1953), by Saul Bellow
All the King's Men (1946), by Robert Penn Warren
American Pastoral (1997), by Philip Roth
An American Tragedy (1925), by Theodore Dreiser
Animal Farm (1946), by George Orwell
Appointment in Samarra (1934), by John O'Hara
Are You There God? It's Me, Margaret (1970), by Judy Blume
The Assistant (1957), by Bernard Malamud
At Swim-Two-Birds (1938), by Flann O'Brien
Atonement (2002), by Ian McEwan
Beloved (1987), by Toni Morrison
The Berlin Stories (1946), by Christopher Isherwood
The Big Sleep (1939), by Raymond Chandler
The Blind Assassin (2000), by Margaret Atwood
Blood Meridian (1986), by Cormac McCarthy
Brideshead Revisited (1946), by Evelyn Waugh
The Bridge of San Luis Rey (1927), by Thornton Wilder
C - D
Call It Sleep (1935), by Henry Roth
Catch-22 (1961), by Joseph Heller
The Catcher in the Rye (1951), by J.D. Salinger
A Clockwork Orange (1963), by Anthony Burgess
The Confessions of Nat Turner (1967), by William Styron
The Corrections (2001), by Jonathan Franzen
The Crying of Lot 49 (1966), by Thomas Pynchon
A Dance to the Music of Time (1951), by Anthony Powell
The Day of the Locust (1939), by Nathanael West
Death Comes for the Archbishop (1927), by Willa Cather
A Death in the Family (1958), by James Agee
The Death of the Heart (1958), by Elizabeth Bowen
Deliverance (1970), by James Dickey
Dog Soldiers (1974), by Robert Stone
F - G
Falconer (1977), by John Cheever
The French Lieutenant's Woman (1969), by John Fowles
The Golden Notebook (1962), by Doris Lessing
Go Tell it on the Mountain (1953), by James Baldwin
Gone With the Wind (1936), by Margaret Mitchell
The Grapes of Wrath (1939), by John Steinbeck
Gravity's Rainbow (1973), by Thomas Pynchon
The Great Gatsby (1925), by F. Scott Fitzgerald
H - I
A Handful of Dust (1934), by Evelyn Waugh
The Heart is A Lonely Hunter (1940), by Carson McCullers
The Heart of the Matter (1948), by Graham Greene
Housekeeping (1981), by Marilynne Robinson
A House for Mr. Biswas (1962), by V.S. Naipaul
I, Claudius (1934), by Robert Graves
Infinite Jest (1996), by David Foster Wallace
Invisible Man (1952), by Ralph Ellison
L - N
Light in August (1932), by William Faulkner
The Lion, The Witch and the Wardrobe (1950), by C.S. Lewis
Lolita (1955), by Vladimir Nabokov
Lord of the Flies (1955), by William Golding
The Lord of the Rings (1954), by J.R.R. Tolkien
Lucky Jim (1954), by Kingsley Amis
The Man Who Loved Children (1940), by Christina Stead
Midnight's Children (1981), by Salman Rushdie
The Moviegoer (1961), by Walker Percy
Mrs. Dalloway (1925), by Virginia Woolf
Naked Lunch (1959), by William Burroughs
Native Son (1940), by Richard Wright
Neuromancer (1984), by William Gibson
Never Let Me Go (2005), by Kazuo Ishiguro
O - R
On the Road (1957), by Jack Kerouac
One Flew Over the Cuckoo's Nest (1962), by Ken Kesey
The Painted Bird (1965), by Jerzy Kosinski
Pale Fire (1962), by Vladimir Nabokov
A Passage to India (1924), by E.M. Forster
Play It As It Lays (1970), by Joan Didion
Portnoy's Complaint (1969), by Philip Roth
Possession (1990), by A.S. Byatt
The Power and the Glory (1939), by Graham Greene
The Prime of Miss Jean Brodie (1961), by Muriel Spark
Rabbit, Run (1960), by John Updike
Ragtime (1975), by E.L. Doctorow
The Recognitions (1955), by William Gaddis
Red Harvest (1929), by Dashiell Hammett
Revolutionary Road (1961), by Richard Yates
S - T
The Sheltering Sky (1949), by Paul Bowles
Slaughterhouse Five (1969), by Kurt Vonnegut
Snow Crash (1992), by Neal Stephenson
The Sot-Weed Factor (1960), by John Barth
The Sound and the Fury (1929), by William Faulkner
The Sportswriter (1986), by Richard Ford
The Spy Who Came in From the Cold (1964), by John le Carre
The Sun Also Rises (1926), by Ernest Hemingway
Their Eyes Were Watching God (1937), by Zora Neale Hurston
Things Fall Apart (1959), by Chinua Achebe
To Kill a Mockingbird (1960), by Harper Lee
To the Lighthouse (1927), by Virginia Woolf
Tropic of Cancer (1934), by Henry Miller
U - W
Ubik (1969), by Philip K. Dick
Under the Net (1954), by Iris Murdoch
Under the Volcano (1947), by Malcolm Lowry
Watchmen (1986), by Alan Moore & Dave Gibbons
White Noise (1985), by Don DeLillo
White Teeth (2000), by Zadie Smith
Wide Sargasso Sea (1966), by Jean Rhys
"Ulysses," James Joyce
"A Portrait of the Artist as a Young Man," James Joyce
"Brave New World," Aldous Huxley
"Darkness at Noon," Arthur Koestler
"Sons and Lovers," D. H. Lawrence
"The Way of All Flesh," Samuel Butler
"Henderson the Rain King," Saul Bellow "U.S.A." (trilogy), John Dos Passos
"
"The Wings of the Dove," Henry James
"The Ambassadors," Henry James
"Tender Is the Night," F. Scott Fitzgerald
"The Studs Lonigan Trilogy," James T. Farrell
"The Good Soldier," Ford Madox Ford
"The Golden Bowl," Henry James
"Sister Carrie," Theodore Dreiser
"As I Lay Dying," William Faulkner
"Howards End," E. M. Forster
"Point Counter Point," Aldous Huxley
"The Secret Agent," Joseph Conrad "Nostromo," Joseph Conrad
"The Rainbow," D. H. Lawrence
"Women in Love," D. H. Lawrence
"The Naked and the Dead," Norman Mailer
"The Maltese Falcon," Dashiell Hammett
"Parade's End," Ford Madox Ford
"The Age of Innocence," Edith Wharton
"Zuleika Dobson," Max Beerbohm
"From Here to Eternity," James Jones
"The Wapshot Chronicles," John Cheever
"Of Human Bondage,"
"Heart of Darkness," Joseph Conrad "
"The House of Mirth," Edith Wharton "The Alexandria Quartet,"
"A Farewell to Arms," Ernest Hemingway
"Finnegans Wake," James Joyce
"Kim," Rudyard Kipling
"A Room With a View," E. M. Forster "Angle of Repose," Wallace Stegner
"A Bend in the River," V. S. Naipaul
"Lord Jim," Joseph Conrad
"The Old Wives' Tale,"
"The Magus," John Fowles
"Sophie's Choice," William Styron
"The Postman Always Rings Twice," James M. Cain
"The Ginger Man," J. P. Donleavy
"The Magnificent Ambersons," Booth Tarkington
Animal Farm, Atonement, Beloved, The Great Gatsby, The Lion the Witch and the Wardrobe, 1984, On the Road, Slaughterhouse Five, To Kill A Mockingbird, A Room with A View, and The Call of the Wild (not many relatively I am sad to say)
And I am left with...lots of books!!!
So let's better ourselves through reading together. Turn off the TV, iphone, computer (after reading this blog of course). Settle down on the couch, grab a glass of wine, and crack open a great book with me. Then we'll discuss. Ready...
GO!